Nature of Monsters(ISBN=9780156034081)

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  • 版 次:1
  • 页 数:382
  • 字 数:
  • 印刷时间:2011年12月01日
  • 开 本:32开
  • 纸 张:胶版纸
  • 包 装:平装
  • 是否套装:否
  • 国际标准书号ISBN:9780156034081
作者:Clare Clark 著出版社:Houghton Mifflin Harcourt出版时间:2011年12月 
编辑推荐
  From Publishers Weekly
  Starred Review. British author Clark's second novel, a movinghistorical set in early 18th-century London, surpasses heracclaimed debut, The Great Stink (2005). When teenager Eliza Tallygets pregnant, her mother sells her into servitude to anapothecary, Grayson Black. Eliza struggles to survive in a bizarrehousehold, unaware that her new master is interested in the effectsof various emotions on her unborn child. Isolated save for akindly, slow-witted fellow servant, Mary, Eliza develops anunlikely relationship with a French bookseller, Mr. Honfleur, whosupplies Black with the scientific treatises he uses to inform hissadistic researches. Eliza hopes Honfleur will provide her with themeans for escape. Unlike The Great Stink, this suspenseful talecontains no whodunit element, but as in her previous book, Clark'sempathetic portrait of the powerless and the victimized will remindmany readers of Dickens. Author tour. (May)
  Copyright Reed Business Information, a division of ReedElsevier Inc. All rights reserved. --This text refers to theHardcover edition.
  
  From School Library Journal
  Adult/High School–Clark is a first-rate storyteller. The settingis 18th-century London, a dark and unwelcoming city of massivesize. Eliza Tally, pregnant and unmarried, has been sent there byher mother to begin service as a maid for apothecary Grayson Black.His shop is managed by Mrs. Black, who holds an unyielding gripover all the affairs of the elusive man. Upon her arrival, Elizameets Mary, the other servant, whom she finds annoying andbothersome at first. Eliza's new home sits in the shadow of theimpressive landmark of St. Paul's Cathedral, and the young womanbecomes readers' eyes and ears as she vividly conveys the sightsand sounds of the city's bustling life. She is disturbed by thechanges in her body as the baby within her grows. At the same time,she discovers that all is not right with the mysterious apothecaryand his ever-vigilant wife. His interests in her and her conditionmake her increasingly uncomfortable as she perceives that she issomehow an unwitting party to his secrets, and she and Mary come torely on one another for warmth and companionship. Ultimately, Elizalearns that monsters can take many forms, and that human behavioris oftentimes most fearsome. The novel's well-described setting andits well-realized themes of unplanned pregnancy and exploitedfemale labor will engage teen readers.–Catherine Gilbride, FarifaxCounty Public Library, VA
内容简介

  1666: The Great Fire of London sweeps through the streets and a heavily pregnant woman flees the flames. A few months later she gives birth to a child disfigured by a red birthmark.1718: Sixteen-year-old Eliza Tally sees the gleaming dome of St. Paul's Cathedral rising above a rebuilt city. She arrives as an apothecary's maid, a position hastily arranged to shield the father of her unborn child from scandal. But why is the apothecary so eager to welcome her when he already has a maid, a half-wit named Mary? Why is Eliza never allowed to look her veiled master in the face or go into the study where he pursues his experiments? It is only on her visits to the Huguenot bookseller who supplies her master's scientific tomes that she realizes the nature of his obsession. And she knows she has to act to save not just the child but Mary and herself.

作者简介

  CLARE CLARK's first novel, The Great Stink, was a New York Times Editors Choice, a Washington Post Best Book of the Year, and the winner of the Quality Paperback Book Club New Voices Award. She is also the author of The Nature of Monsters. She lives in London.

媒体评论

  "Clark has talent and energy to burn." (Kirkus Reviews )"Brave, full-hearted . . .A compelling story which will draw in, for different reasons, fans of Sarah Waters'' dense narrative complexities and Andrew Miller''s metaphysical horrors. Clark meets the 18th century on its own terms: knocks its wig off, twists its private parts and spits in its eye." (Hilary Mantel, The Guardian )"Clark''s empathetic portrait of the powerless and the victimized will remind many readers of Dickens." (Publishers Weekly (starred review) )


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