内容简介
Over a period of fifteen years Joel Sternfeld travelled across America and took portrait photographs that form in Douglas R. Nickels words an intelligent, unscientific, interpretive sampling of what Americans looked like at the centurys end. Unlike historical portraits which represent significant people in staged surroundings, Sternfelds subjects are uncannily normal: a banker having an evening meal, a teenager collecting shopping carts in a parking lot, a homeless man holding his bedding. Using August Sanders classic photograph of three peasants on their way to a dance as a starting point, Sternfeld employed a conceptual strategy that amounts to a new theory of the portrait, which might be termed The Circumstantial Portrait. What happens when we encounter the other in the mist of a circumstance? What presumptions, if any, are valid? What, if anything, can be known of the other from a photographic portrait? A major figure in the photography world, Joel Sternfeld was born in New York City in 1944. He has received numerous awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfelds books published by Steidl include American Prospects (2003), Sweet Earth (2006), Oxbow Archive (2008), First Pictures (2011) and On This Site (2012).