VANISHED SMILE (LPTP)(ISBN=9780739328361)

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  • 版 次:1
  • 页 数:339
  • 字 数:
  • 印刷时间:2009年04月01日
  • 开 本:32开
  • 纸 张:胶版纸
  • 包 装:平装
  • 是否套装:否
  • 国际标准书号ISBN:9780739328361
作者:R.A. Scotti 著出版社:Random House US出版时间:2009年04月 
内容简介
  On August 21, 1911, the unfathomable happened–Leonardo daVinci’s Mona Lisa vanished from the Louvre. More than twenty-fourhours passed before museum officials realized she was gone. Theprime suspects were as shocking as the crime: Pablo Picasso andGuillaume Apollinaire, young provocateurs of a new art. As Frenchdetectives using the latest methods of criminology, includingfingerprinting, tried to trace the thieves, a burgeoninginternational media hyped news of the heist.
  No story captured the imagination of the world quite like thisone. Thousands flocked to the Louvre to see the empty space wherethe painting had hung. They mourned as if Mona Lisa were a lostloved one, left flowers and notes, and set new attendance records.For more than two years, Mona Lisa’s absence haunted the art world,provoking the question: Was she lost forever? A century later,questions still linger.
作者简介

  R. A. Scotti is the author of three previous works of nonfiction, including Basilica: The Splendor and the Scandal–Building St. Peter’s and Sudden Sea: The Great Hurricane of 1938, and four novels. She lives in New York City.

媒体评论
  “R.A. Scotti’s pen is as deft as Leonardo’s brush. . . .Sublime.” —The Washington Times
  “Luminous…. Scotti narrates the investigation with gusto andgrace.” —The Washington Post Book Worl
  “A story that La Gioconda herself would have smiledat—enigmatically, of course.” —Time
  “Beguiling…. An absence of clues meant an abundance of theories,and Scotti advances them all in an arresting…narrative.” —The NewYork Times Book Review
  “Elegant and erudite…. Scotti follows the trail of the missingmasterpiece with the same zestful sense of adventure that shebrought to Basilica…. An unabashed literary diva, Scotti commandsattention from page one.” —The Boston Globe
  “The painting was missing for more than two years, and the namesof the prime suspects in the case—Pablo Picasso and his friend, thepoet and art critic Guillaume Apollinaire—push this story pastsomething even Dan Brown could concoct. . . . A rolling . . . pieceof entertainment. . . . Reminds us of the bedrock appeal of theMona Lisa’s gaze.” —The New York Times

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