中国文化经典导读系列-名家讲中国绘画名作（英）pdf/txt下载_在线阅读全文

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本书以对中国历代名画家、名画作的赏析、导读为主，又融入了对中国美术史及艺术理念的整体理解，对读者了解、体悟中国艺术的独特魅力有指引、帮助之效。

内容简介

与西方绘画相比，中国绘画别具一格，自成一统。本书在简要概述中国绘画艺术的基础上，重点对历代绘画名家名作进行分析、导读，带领读者通过具体作品，体悟中国绘画艺术的独到之美。

作者简介

编者：《文史知识》编辑部。《文史知识》杂志自创刊以来，一直坚持大专家写小文章，坚持深入浅出地介绍和评述中国优秀传统文化，受到学术界的广泛好评。其作者荟萃全国一流文史专家，内容涵盖中国传统文化各个方面，文章知识性、趣味性、学术性兼备，深入浅出，雅俗共赏。

目　　录

The Value of Literati Paintings
Gu Kaizhi’s Painting of Ode to Goddess Luo
Zhan Ziqian and His Painting Spring Outing
Han Gan and His Painting Herding Horses
Han Huang and His Painting Five Oxen
Gu Hongzhong’s Painting Han Xizai EveningBanquet
Zhou Wenju’s Playing Chess by DoubleScreens
Xu Xi, Huang Quan and “Non-OutlinedPaintings”
Landscape Paintings by Fan Kuan
Wang Qihan’s Man Cleaning His Ear
Xiao and Xiang Rivers of Dong Yuan
Stories about the Painting Along the Riverduring the Qingming Festival
Wen Tong and His Bamboo Paintings
The Two Mis and Three Zhaos

The Value of Literati Paintings
Gu Kaizhi’s Painting of Ode to Goddess Luo
Zhan Ziqian and His Painting Spring Outing
Han Gan and His Painting Herding Horses
Han Huang and His Painting Five Oxen
Gu Hongzhong’s Painting Han Xizai Evening
Banquet
Zhou Wenju’s Playing Chess by Double
Screens
Xu Xi, Huang Quan and “Non-Outlined
Paintings”
Landscape Paintings by Fan Kuan
Wang Qihan’s Man Cleaning His Ear
Xiao and Xiang Rivers of Dong Yuan
Stories about the Painting Along the River
during the Qingming Festival
Wen Tong and His Bamboo Paintings
The Two Mis and Three Zhaos
Emperor Huizong and Academy Painting of the
Song Dynasty
Li Bai’s Image in Liang Kai’s Painting
A Brief Analysis of Ma Lin’s Listening to
the Wind in the Pines
Secrets of Plum Blossom Paintings of the
Song and Yuan Dynasties
Four Master Painters in Late Yuan Dynasty
Huang Gongwang and His Painting Nine Peaks
Clearing after Snow
On Wang Meng’s Ge Zhichuan Resettlement
Fu Shan’s Piled Rocks on Hills
Bada Shanren and His Flower-and-Bird
Paintings
Self-Portrait of Jin Nong
Ren Bonian’s Birds-Hunting in the Autumn
Wu Changshuo and His Plum Paintings

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在线试读部分章节

Stories about the Painting Along the Riverduring the Qingming Festival
Ye Kangning
The storytelling script Stories to Warn Men(Xing Shi Yan) made the following quotation in Chapter 32 “Three Serpents PlayTricks in Vain and the Ding Finally Returns to the Former Owner”:
An old man in this dynasty was entrusted bya traitor minister to look for an ancient painting. He made a copy of thepainting to the traitor minister and concealed the genuine work. Unfortunatelywith his trick discovered by the traitor minister, he was sentenced to death.
Although Stories to Warn Men tells only anopinion of the novelist, the quotation was not invented but well grounded. Itinvolves a trade of the famous painting Along the River during the QingmingFestival in the reign of Emperor Jiajing of the Ming Dynasty. The trade was notonly recorded in many books, but also reworked into a play A Handful ofSnowflakes and staged, reflecting how great its influence was. All recordingsof the story in various books include four plots: Wang Shu soliciting thepainting, Huang Biao making a replica, Tang Chen extorting bribes and Yan Songmurdering Wang Shu.
I.Wang Shu soliciting the painting

Stories about the Painting Along the River
during the Qingming Festival
Ye Kangning
The storytelling script Stories to Warn Men
(Xing Shi Yan) made the following quotation in Chapter 32 “Three Serpents Play
Tricks in Vain and the Ding Finally Returns to the Former Owner”:
An old man in this dynasty was entrusted by
a traitor minister to look for an ancient painting. He made a copy of the
painting to the traitor minister and concealed the genuine work. Unfortunately
with his trick discovered by the traitor minister, he was sentenced to death.
Although Stories to Warn Men tells only an
opinion of the novelist, the quotation was not invented but well grounded. It
involves a trade of the famous painting Along the River during the Qingming
Festival in the reign of Emperor Jiajing of the Ming Dynasty. The trade was not
only recorded in many books, but also reworked into a play A Handful of
Snowflakes and staged, reflecting how great its influence was. All recordings
of the story in various books include four plots: Wang Shu soliciting the
painting, Huang Biao making a replica, Tang Chen extorting bribes and Yan Song
murdering Wang Shu.
I.Wang Shu soliciting the painting
During the reign of Emperor Jiajing of the
Ming Dynasty, Yan Song manipulated power for personal ends and his son Yan
Shifan “engages in politics through his father. He was promoted from
Taichangqing (an official who controls ritual, god of land and god of grains)
to Zuoshilang (assistant minister) of the Ministry of Works for the merit of
building the outer city of the capital and was still in charge of the Shangbao
Division (in charge of the imperial jade seals, tallies and chops etc.). He was
swift, fierce and cruel and greedy of potency and money. However, he was
proficiency in national decrees and regulations and had a good knowledge of
overall situation and state affairs. He once said that himself, Lu Bing and
Yang Bo were the best talents of the world. After Lu Bing died, Yan became
growingly self-conceit. Yan Song lost his wits with age, and stayed in the
Imperial Palace all the time. The subordinate officials of various departments
often said “ask Donglou” when they reporting affairs. Donglou was the alias of
Yan Shifan. The state affairs were all entrusted to Shifan. The officials under
the ministers even had no chance to report to the emperor or have to wait in
vain until dusk and return back. The scholars all looked askance at him with
indignation and the unworthy fellows fawned on him. Shifan was familiar with
duties of all the positions and the rules of punishment and bribes and the
others could not conceal any at all. He built his residence in the capital
city, which covered several blocks. He created a pond of dozens of mu in his
residence, and collected rare birds and trees in his residence and entertained
himself with guests wantonly all day. Even when his mother passed away he did
not changed at all. He liked bronze vessels, calligraphic works and paintings.
Zhang Wenhua, Yan Maoqing and Hu Zongxian and the like sent such treasures to
Yan or extorted treasures from the rich people until he obtained what he
wanted.” (The History of Ming , Volume 308)
Most of the subordinate officials fawned on
Yan Song and his son for avoiding calamity if not for promotion. Yu Dayou was
once put into prison because he was frank and not good at greasiness and
provoked Yan Shifan. The Chronicles of the Ming Dynasty (Ming Shi Ji Ben Mo)
has such records: “In the 35th year (of the reign of Emperor Jiajing), Yu Dayou
was put into the prison of Jinyiwei. Dayou was not good at flattery. And Yan
Shifan was angered by Yu’s reluctance of attachment and incited Hu Zongxian to
criminate Yu’s failure. Therefore Yu was sentenced and had to borrow a large
sum of money to grease Yan. Yu was pardoned of death penalty but dismissed to
Datong to redeem himself by good services”.
Among the numerous hangers-on, some were
officials with political reputation. Wang Shu was one among them, who was
governor of jiliao , zuoshilang of the Ministry of War and youduyushi (junior
president of the censorate). Wang Shu, styled Minying, alternative name Sizhi,
was born in Taicang. He was jinshi (passed the highest imperial examination) of
the 20th year of the reign of Emperor Jiajing and had defended against
Mongolian invasion at the northern border and invasion of Japanese pirates in
the south. Wang Shizhen, leader of the literary circles, was his eldest son and
Yu Dayou, a famous Ming-Dynasty General who defended China against the Japanese
pirates’ invasion, was his subordinate.

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