From Publishers Weekly
Starred Review. It's wondrous to listen to a fine reading of a
long-loved novel. Leishman makes masterly use of volume, timbre and
resonance to distinguish between characters and draw us into the
emotional swings and vibrations of the internal musings of each.
She creates not a new but a more nuanced reading, following the
interwoven streams of consciousness in a British English that lends
authenticity to each voice. Leishman swims smoothly through Woolf's
sentences that ebb and flow with numerous parenthetical thoughts
and fresh images. These passages are interspersed with quick,
sharp, simple sentences that gain strength in contrast. Leishman
also draws our attention to Woolf's poetic prose: her rhythms and
images, her use of hard consonants in monosyllabic words in
counterpoint to long, soft, dreamy words and phrases. To The
Lighthouse plays back and forth between telescopic and microscopic
views of nature and human nature. Mrs. Ramsey is both trapped in
and pleased in her roles as wife, mother and hostess. The
introspective Mr. Ramsey is consumed with his legacy of
long-since-published abstract philosophy. This is a book that
cannot be read—or heard—too often. (Jan.) --Copyright ©
Reed Business Information, a division of Reed Elsevier Inc. All
rights reserved. --This text refers to the Audio CD edition.
Novel by Virginia Woolf, published in 1927. The work is one of
her most successful and accessible experiments in the
stream-of-consciousness style. The three sections of the book take
place between 1910 and 1920 and revolve around various members of
the Ramsay family during visits to their summer residence on the
Isle of Skye in Scotland. A central motif of the novel is the
conflict between the feminine and masculine principles at work in
the universe. With her emotional, poetical frame of mind, Mrs.
Ramsay represents the female principle, while Mr. Ramsay, a
self-centered philosopher, expresses the male principle in his
rational point of view. Both are flawed by their limited
perspectives. A painter and friend of the family, Lily Briscoe, is
Woolf's vision of the androgynous artist who personifies the ideal
blending of male and female qualities. Her successful completion of
a painting that she has been working on since the beginning of the
novel is symbolic of this unification. -- The Merriam-Webster
Encyclopedia of Literature --This text refers to an out of print or
unavailable edition of this title.
“To the Lighthouse is one of the greatest elegies in the
English language, a book which transcends time.” –Margaret
Drabble
“Without question one of the two or three finest novels of the
twentieth century. Woolf comments on the most pressing dramas of
our human predicament: war, mortality, family, love. If you’re like
me you’ll come back to this book often, always astounded, always
moved, always refreshed.” –Rick Moody
“[Woolf’s] people are astoundingly real…The tragic futility, the
absurdity, the pathetic beauty, of life–we experience all of this
in our sharing of seven hours of Mrs. Ramsay’s wasted or not wasted
existence.
We have seen, through her, the world.” –Conrad Aiken-- the
Hardcover edition.