The Cambridge Companion to Modern British Women Playwrights(ISBN=9780521595339)

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  • 版 次:1
  • 页 数:276
  • 字 数:
  • 印刷时间:2000年05月01日
  • 开 本:16开
  • 纸 张:胶版纸
  • 包 装:平装
  • 是否套装:否
  • 国际标准书号ISBN:9780521595339
作者:Janelle Reinelt 著出版社:Cambridge University Press出版时间:2000年05月 
内容简介

  This Companion addresses the work of women playwrights in Britain throughout the twentieth century. The chapters explore the historical and theatrical contexts in which women have written for the theatre and examine the work of individual playwrights. A chronological section on playwriting from the 1920s to the 1970s is followed by chapters which raise issues of nationality and identity. Later sections question accepted notions of the canon and include chapters on non-mainstream writing, including black and lesbian performance. Each section is introduced by the editors, who provide a narrative overview of a century of women's drama and a thorough chronology of playwriting, set in political context. The collection includes essays on the individual writers Caryl Churchill, Sarah Daniels, Pam Gems and Timberlake Wertenbaker as well as extensive documentation of contemporary playwriting in Wales, Scotland and Northern Ireland, including figures such as Liz Lochhead and Anne Devlin.

目  录
Notes on contributors
Chronology
1. A century in view: from suffrage to the 1990s Elaine Aston andJanelle Reinelt
2. Women playwrights of the 1920s and 1930s Maggie B.Gale
3. New plays and women's voices in the 1950s Susan Bennett
4. Women playwrights and the challenge of feminism in the1970s Michelene Wandor
5. The politics of location Susan Bassnett
6. Contemporary Welsh women playwrights Anna-MarieTaylor
7. Contemporary Scottish women playwrights Adrienne Scullion
8. Women playwrights in Northern Ireland Mary Trotter
9. Language and identity in Timberlake Wertenbaker's plays SusanCarlson
10. Pam Gems: body politics and biography Elaine Aston
11. Caryl Churchill and the politics of style Janelle Reinelt
12. Violence, abuse and gender relations in the plays bySarah Daniels Gabriele Griffin

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