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　　Book De*ion
　　Number9Dream is the international literary sensation from a writer with astonishing range and imaginative energy—an intoxicating ride through Tokyo’s dark underworlds and the even more mysterious landscapes of our collective dreams.

Book De*ion 
　　Number9Dream is the international literary sensation from a writer with astonishing range and imaginative energy—an intoxicating ride through Tokyo’s dark underworlds and the even more mysterious landscapes of our collective dreams.  
　　David Mitchell follows his eerily precocious, globe-striding first novel, Ghostwritten, with a work that is in its way even more ambitious. In outward form, Number9Dream is a Dickensian coming-of-age journey: Young dreamer Eiji Miyake, from remote rural Japan, thrust out on his own by his sister’s death and his mother’s breakdown, comes to Tokyo in pursuit of the father who abandoned him. Stumbling around this strange, awesome city, he trips over and crosses—through a hidden destiny or just monstrously bad luck—a number of its secret power centers. Suddenly, the riddle of his father’s identity becomes just one of the increasingly urgent questions Eiji must answer. Why is the line between the world of his experiences and the world of his dreams so blurry? Why do so many horrible things keep happening to him? What is it about the number 9? To answer these questions, and ultimately to come to terms with his inheritance, Eiji must somehow acquire an insight into the workings of history and fate that would be rare in anyone, much less in a boy from out of town with a price on his head and less than the cost of a Beatles disc to his name. 
　　Amazon.com 
　　David Mitchell's second novel, Number9Dream, tells the story of Eiji Miyake, a young man negotiating a hypermodern and dangerous Tokyo to meet for the first time his secretive and powerful father. Na?ve and fresh from the Japanese countryside, Eiji encounters every obstacle imaginable in his quest, from his father's--and in-laws'--reluctance for the encounter to occur (Eiji is the bastard son) to fiery entanglements with yakuza (the Japanese mafia) to the overwhelming size and anonymity of Tokyo itself.  
　　The novel is cartoonish in that Eiji has a vivid and violent imagination that fills the book with daydreams. When not chain-smoking, forlorn Eiji wanders the city following vague or cryptic leads that invariably dead-end or land him back among yakuza. Mitchell (author of the critically acclaimed Ghostwritten) has a smart, eclectic writing style that seems foreign, and the novel is well paced, but the yakuza encounters are too cinematic, complete with unusual torture and pyrotechnics. Moreover, in addition to Eiji's daydreams, the last half of the book contains excerpts from the diaries of his great uncle's World War II naval heroics and bizarre short stories that Eiji reads while hiding--the latter of which make for tedious reading.  
　　Number9Dream is crafted from too many disparate components; it does not seem to be a full expression, but an overly crowded one. Readers will sympathize with Eiji and his search, but in the end will wonder what effect, if any, all the extraneous forces had on him. The book provides many fun moments, but ultimately it doesn't really add up to the sum of its parts.  
　　　　　　　　　　　　　　　　　　　　　　　　　　　　　--Michael Ferch 
　　From Publishers Weekly 
　　A young Japanese man's quest to find his estranged parents throws him into a bizarre world of mobsters, dream villains and cyber-tricksters in Mitchell's second novel (after Ghostwritten), a hyperactive, erratic sprawl of a book that begins when narrator Eiji Miyake finds himself out on his own after his twin sister, Anju, dies: his alcoholic mother had had a nervous breakdown and left her two children with their grandmother when they were very young, and they have never met their father. Miyake makes the move from rural Japan to Tokyo to stake out the company where his father is a powerful executive. But his search lands him in a nebulous yet dangerous game of cat-and-mouse with an equally powerful Japanese mobster who uses Miyake's need to find his parents to kidnap and threaten him in a series of malevolent and nearly inexplicable scenes. The most coherent sequence in the narrative takes place when Miyake is contacted by his grandfather, a former seaman who gives Miyake his diary, a poignant account of his stint on a submarine in the final days of WWII, as the Japanese frantically scrambled to deploy a new undersea warhead. Miyake eventually manages to meet his parents, but those potentially affecting scenes are overwhelmed and overshadowed by Mitchell's relentless tendency to spin out futuristic, over-the-top scenarios in which Miyake is whisked away into strange settings and then abused as if he were the hero in a deadly video game. Mitchell showed considerable promise in his highly acclaimed debut, but his sophomore effort is so chaotic that it will test even the most diligent and devoted reader. (Feb. 26)Forecast: Rave reviews from the British press, a Booker Prize nomination and a five-city author tour will give this challenging novel a needed boost. 
　　From Library Journal 
　　Hiroshima resident Mitchell's startling and original debut, Ghostwritten, took place all over the globe. But his second work lands firmly in Japan, where a young boy looks for the father who denies his existence.  
　　From Booklist 
　　*Starred Review* Twenty-year-old Eiji Miyake comes to Tokyo from rural Japan, haunted by the ghost of his twin sister and driven to discover a single secret: Who is their father? A chance encounter plunges him into the nightmarish world of the Yakuza (Japanese Mafia), who may just tell him the answer if he can live long enough. Mitchell's stunning second novel is many things, all of them wonderful: a literary tale that plumbs Raymond Chandler, an exploration of the urban mindscape, a wide-eyed look at the world that's not afraid to ask big questions. As Miyake wonders if he is defined only by his quest, the author uses his protagonist as a means to explore the power of words, the role of dreams, and the nature of reality. Mitchell, who lives in Hiroshima, seems to grab both the mythology and the modern patois of his adopted country and writes with a voice that is both timeless and urgently of the moment. Flexing his considerable stylistic muscle, he plays with form while hewing true to a tightly plotted tale that pulls you along, wondering where it will all end--that, and what all the Beatles references mean. This is a terrific book.  
　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　Keir Graff 
　　From The New Yorker  
　　Mitchell's new novel has been described as a cross between Don DeLillo and William Gibson, and although that's a perfectly serviceable cocktail-party formula, it doesn't do justice to this odd, fitfully compelling work. Eiji Miyake, the young protagonist, leaves his rural Japanese home and travels to Tokyo to find the father who abandoned him years before. What begins as a fairly straightforward filial quest soon devolves into a kaleidoscopic adventure filled with Japanese mobsters and increasingly baroque futuristic scenarios. What is even more alarming, Eiji does not always maintain a firm grasp on reality. Mitchell's pyrotechnics are never less than interesting, but they are often less than satisfying; giddy with the fantastical possibilities of his narrative, he sometimes forgets his responsibility to his readers.  
　　Book Dimension :  
　　length: (cm)19.5 　　　 　　　　　 　　　　　 width:(cm)12.8

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